You vs. Opens at The Venue

CORE Theatre Ensemble Starts a Conversation

With a relatively gentle irony CORE Theatre Ensemble skimmed through the average, American middle-class family experience in less than an hour last night (Aug. 5), evoking laughter, recognition, empathy, and a bit of puzzlement in its opening night audience at The Venue on 35th in Norfolk.



CORE Ensemble from left: Emel Ertugrul, Edwin Castillo, Laura Agudelo.
Not shown: Nancy Dickerson



You vs. is an ensemble-created piece with polished performances by Laura Agudelo, Nancy Dickerson, and company co-founders Emel Ertugrul and Edwin Castillo. In their briskly moving formations and rapid-fire verbal pick-up, they have created a tight, well-choreographed, visual and aural poem of associative one-liners, with one beat quickly following another for the length of the play.

Or is it a play? Better to call it a theatre piece, though there is a kind of plot as the actors, who are playing “you”—i.e., we—are born, grow up, hate their parents, graduate, get jobs, seek relationships, become desperate, finally get married, have children, and the whole cycle starts in again, with “you” always developing some sort of conflict with someone else. Thus, the show’s title: You vs.

It’s the human condition. At least, CORE Theatre Ensemble suggests it is, and who could disagree?

But that, if anything, is the main weakness of the piece. Sharper on technique than on content, it takes no philosophical risks, echoing the wide consensus among humanistic believers of an acceptance, tinged in melancholy, of the normal cycles of human generation and regeneration as somehow ennobling, a lot worthy of our embrace.

However, the piece can cause you to think about questions it does not specifically ask but definitely begs. Do you remember what an ordeal it was to live with your parents? Are you any different as a parent yourself? Why do we start out loving our new jobs and co-workers and after awhile hate them? Why do parents seem to forget what it was like when they were children? Why does every generation make so many of the same mistakes?

Other questions, asked but not answered, can also provoke thought. Why is the sky blue (not green or yellow)? Where do babies really come from? What happens to us when we die? Why do we have to go to funerals? And—a recurring one—what’s next?

If, as the playbill reads, CORE seeks to start a conversation, the company has delivered a fertile field for plowing.

My favorite beat is the four ensemble members witnessing a human birth, with varied reactions from shielding the eyes to rapt amazement, reminding us that “the miracle of birth” is a very messy, undignified, unsavory process.

But not all scenes are as easy to read. The beat least clear to me has to do with popping balloons of hope lonely people have floated in the personal ads. The stage business of filling the balloons from a portable helium tank tends to steal focus. Aside from that—or maybe because of it—the intent of the beat itself seems muddy.

Still, like all CORE’s work, You vs. is edgy, intelligent, and, in this case at least, quite amusing.

It is also the eighth of nine new plays produced this summer in the first annual Norfolk Summer Play Fest, a project shared jointly by The Venue, the Generic Theater, and Little Theater of Norfolk. The Thinking Dog has seen them all and has left reviews of them on this page.

You vs. continues tonight at 8 and next weekend, Fri. and Sat., Aug. 12 and 13, also at 8. There are no Sunday performances. Admission is $12. For reservations or info, call 469-0337.

The final play in this year’s Summer Play Fest is Nat’s Last Struggle, by P.A. Wray, playing two weekends, Aug. 19-28, at The Venue. For a review of an earlier version of that show, see the archives on this site for Aug., 2009.